1997: Dissecting / Not Dissecting “The Muse”

Al Kooper's 50 Tracks / 50 Years

Is it quality or quantity that makes a songwriter a genius?

Recently, in a forum that I participate in online, this discussion took place by E-mail. The editors were kind enough to let me post it here as a column, even though it’s not technical mumbo-jumbo about how to make your equipment work better. It’s intellectual mumbo jumbo about letting your freak flag fly. The participants names have been changed to protect the possibly guilty

Subj: Songwriting Question
From: Participant One

Al, reading about all your records got me looking at my CD collection and I pulled out Rhino’s Loving Spoonfuls Greatest Hits, which I hadn’t played in a while. Great stuff. Anyway, my question is this: Why do musicians, like your friend John Sebastian, write an incredible amount of classic songs (“Summer in City,” “Do You Believe in Magic,” et al.) over a relatively short period of time and then can’t come up with anything of that quality later on. I’m not attacking John — I know he had a few more classics like “Welcome Back” and “She’s A Lady” — but how come the songs stop churning out for musicians? Rod Argent is another example. Is it because they just don’t want to write any more songs of that genre/style?

Subj: Songwriting Question
From: Al Kooper
In answering your question, I have to take exception to it. I am not directing this at you personally, you’re only a product of a society with no appreciation or understanding of “the muse.” If you look back, historically you’ll find that all great talents had their “periods of greatness.” From Shakespeare to John Milton; from Rimbaud to Kerouac; from Little Richard to Ray Charles; from Bob Dylan to John Fogerty; from Neil Young to Van Morrison; from Sly Stone to Prince. I think it’s the norm rather than an unusual occurrence. So.... does their audience thank the God that blessed all those people with their windows of extreme creativeness? No! They are lambasted for not keeping up with a standard that a person that writes or complains about it, like yourself, couldn't’t even possibly attain. So, thank God you have Shakespeare’s greatest works to still enjoy, and the great stuff that all the other people I mentioned spewed out in incredibly creative thunderstorms that blew through them, and then left them hopefully calm and satisfied. Why can’t the public be satisfied with that and revere these people for their great work no matter what time frame it was in? According to your aesthetic, maybe Buddy Holly and John Lennon were lucky to die rather than surelyface derision for later work that was already beginning to be judged less artistic by an ungrateful fan base. Shame on you — stop taking these wonderful people for granted!

Subj: Re: Songwriting Question
From: Participant One
You’re entitled to your opinion. I’m not criticizing these people, but what I don’t understand is how does one go from a great standard to nada? That’s what I don’t understand. Are you basically saying that a songwriter capable of writing classics can only do so for a short period of time and then that it’s impossible to continue attaining that level?

Subj: Re: Songwriting Question
From: Al Kooper
No. I’m saying why not just sit back and enjoy what you can from their output and then seek out whatever your taste is elsewhere if it’s not being met at the same source. I’m saying what difference does it make? Accept it and move on. The source does.....

Subj: Re: Songwriting Question
From: Participant Two
I think the question needs to be rephrased. (John Sebastian and the Blues Project are among my favorites. My 4- and 8-year olds know this music.) I’m transported by this stuff and I often wonder: “Do these guys know that we’re all still out there, loving this stuff, that in this moment it’s as alive as the day it was written/recorded?” And I find myself wishing I could have written just one song to nest in people’s hearts or make their blood rush. Just one. The question is, how did these guys write so much — not so little. I don’t mean this disparagingly Participant One, really I don’t, but here goes.... Have you written one song that you know is being played and loved by someone every minute of every day, somewhere? Just one would be a life’s pride — these guys wrote dozens....

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I guess Participant Two shut me up at that point because he/she said it more succinctly and soulfully than I was able to. Case was closed and new vistas were quickly explored. Hope this cools out some other people who have never had the "Muse" run through their creative bodies and therefore can’t understand it. Some people call it the hand of God.
Al